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AR Rahman’s measured response to Masakali 2.0 acknowledges an era where original music and remixes must coexist- Entertainment News, Firstpost


Moments after ‘Masakali 2.0‘ dropped on-line on Wednesday, Twitter echoed what Karan Johar says within the opening moments of ‘Aankh Marey,’ “Oh god! One more remix!”

Commissioned by T-Series, Tanishk Bagchi’s model reinterprets AR Rahman’s tune from Rakeysh Omprakash Mehra’s 2009 movie Delhi-6. The original, written by Prasoon Joshi and sung by Mohit Chauhan, was filmed on Sonam Ok Ahuja and Abhishek Bachchan. While Prasoon had talked about the phrase ‘Masakali’ is devoid of a literal that means and was in truth borrowed from the dummy lyrics, it was attributed to a pigeon, a motif of the movie set in Old Delhi.

Lyricist Varun Grover expressed his displeasure over the brand new tune via a graphic tweet.

Lyricist-singer Swanand Kirkire and Mehra additionally retweeted the image. While loads of purists or Rahman followers can be on the identical web page as Grover, Rahman’s response got here as a nice shock. He shared a brief observe on Twitter, tagging each main artist related to the tune, together with the YouTube hyperlink of the original model.

Rahman has not even commented on or talked about ‘Masakali 2.0‘ nor anybody related to the recreation. But his assertion is proof sufficient to declare he doesn’t approve of the brand new model. Or perhaps he simply wished to convey the original tune to the discover of the brand new technology (who could have missed it over 10 years in the past) and inform them it takes a village, and sleepless days (nights in his case) to provide you with an original tune as memorable as ‘Masakali.’

Maybe he’s directing his phrases to that part of the brand new viewers which believes ‘Tamma Tamma‘ and ‘Yeh Jawaani‘ have their roots in Badrinath Ki Dulhania and Student of the Year 2 respectively. Maybe he needs to inform them that whereas they could discover the recreated variations pacier, the originals must be credited for the mixed laborious work and expertise invested in them. Maybe he simply needs to juxtapose the original with the remix, and let every member of the viewers determine individually what their cup of tea is.

This is an indication of a person assured of his craft, and much less bitter in direction of the system. It shouldn’t be the primary Rahman tune that has been rejigged. In truth, he was provided to remix his personal tune ‘Hamma Hamma‘ from Mani Ratnam’s 1995 movie Bombay for what turned out to be ‘The Humma Song’ in Shaad Ali’s 2017 romantic comedy Ok Jaanu. He mentioned whereas he had turned down Ali and producer Karan Johar’s provide, Badshah’s remixed model turned out to achieve success. “Maybe they were right in thinking Badshah could give it a spin and make it for a younger audience,” he mentioned, not denying the attain and enchantment of the brand new model.

 AR Rahmans measured response to Masakali 2.0 acknowledges an era where original music and remixes must coexist

Aditya Roy Kapur and Shraddha Kapoor in a nonetheless from ‘The Humma Song’

His response was extra scathing when his tune ‘Ishwar Allah‘ from Deepa Mehta’s 1998 interval movie 1947: Earth was rehashed by Hitesh Modak for Omung Kumar’s 2019 biographical movie PM Narendra Modi. He mentioned because it was written by a veteran lyricist like Javed Akhtar, no matter was added to the tune was not respectful to him. “I hate to use the word but the song was bastardised.”

His response then got here closest to what Prasoon Joshi’s response has been to ‘Masakali 2.0.’ He took to Twitter to specific his displeasure in direct, albeit not harsh, phrases.

Rahman’s response is probably the most dignified as compared to different music composers who haven’t pulled any punches when it got here to critiquing remix variations of their original songs, the rights of which lie with the widespread music label, T-Series.

For occasion, the latest instance is that of Vishal-Shekhar, who threatened authorized motion in opposition to anybody rejigging their songs with out permission. Singer Sona Mohapatra responded to Vishal Dadlani’s tweet by saying the composer duo have been being hypocritical since they’ve remixed original songs of different composers, such because the Nepali tune ‘Musu Musu‘ for Raj Kaushal’s 1999 musical romance Pyaar Mein Kabhi Kabhi, RD Burman’s ‘Bachna Ae Haseeno‘ from Nasir Hussain’s 1977 movie Hum Kisise Kum Naheen for the Ranbir Kapoor-starrer in 2008, and Pankaj Udhas’ ghazal ‘Ghungroo Toot Gaye‘ for Siddharth Anand’s 2019 espionage thriller War.

They even approached T-Series to rehash their very own (in order that nobody else does a worse job, of their protection) tune ‘Dus Bahane‘ from Anubhav Sinha’s 2005 motion thriller Dus


for Ahmed Khan’s Baaghi 3 earlier this 12 months. Clearly, they observe the adage, “If you can’t beat them, join them.”

Tiger Shroff in a still from 'Dus Bahane 2.0'

Tiger Shroff in a nonetheless from ‘Dus Bahane 2.0’

Amit Trivedi confesses he’s additionally responsible of rehashing one tune below stress although he considers it an aberration of his profession. The tune was ‘Halka Halka‘ from Atul Manjrekar’s 2018 coming-of-age musical Fanney Khan, a reinterpretation of Nusrat Fateh Ali Khan’s ghazal ‘Ye Jo Halka Halka Suroor Hai.’ “I did it due to Rakeysh Mehra (co-producer together with T-Series Films). He was additionally below stress so he simply instructed me to get him out of it. But once they provided me one other remix (of ‘Jawan Hai Mohabbat‘), I opted out and requested them to get Tanishk. I did that one remix however I do not plan to do one other one ever once more,” Amit instructed this author in an interview.

Trivedi’s rivalry with remixes is neither about his due being taken away or ‘classics being touched.’ His rationale is fairly easy: he doesn’t really feel creatively challenged to rejig a tune. “Have you ever heard someone say ‘I feel creatively charged to remix a song. It’s my passion!’ Who says that?” He reinterpreted one other tune, ‘Hungama‘ from Vikas Bahl’s 2014 coming-of-age movie Queen. But there, the scenario demanded a retro tune for Kangana Ranaut’s character Rani, who feels at house dancing to a Bollywood tune in a London pub. Thus, he selected to rehash Laxmikant Pyarelal’s ‘Hungama Ho Gaya‘ from Ravi Tandon’s 1973 suspense drama Anhonee.

Even when Rahman rehashed his personal tune, ‘Urvashi Urvashi‘ from S Shankar’s 1994 movie Kadhlan, he used ‘crowdsourced lyrics’ to reinterpret the observe inventively, incorporating then-burning points like demonetisation and Donald Trump’s win within the 2016 US Presidential Elections into the lyrics.

AR Rahman performs 'Urvashi Urvashi' for MTV Unplugged

AR Rahman performs ‘Urvashi Urvashi’ for MTV Unplugged

Context turns into precedence for a number of when it comes to taking part in remixes. When Madhuri Dixit-Nene was requested for her touch upon ‘Ek Do Teen‘ from Ahmed Khan’s 2018 motion drama Baaghi 2, she mentioned so long as the producers have the required rights, they might rehash any tune to swimsuit the context of their story, together with her breakthrough observe, composed by Laxmikant Pyarelal for N Chandra’s 1988 motion romance Tezaab. She added even she had danced to ‘Paisa Yeh Paisa‘ in Indra Kumar’s 2019 journey comedy Total Dhamaal, which was a remix of Laxmikant-Pyarelal’s original from Subhash Ghai’s 1980 revenge saga Karz.

Madhuri’s Tezaab and Total Dhamaal co-star Anil Kapoor is being seen in an fascinating business for Spotify as of late. Ishaan Khatter, forged as his son, performs RD Burman’s ‘Yeh Jawani Hai Deewani’ from the 1972 movie Jawani Diwani, and says, “Dad, aapke zamane ka gaana” (the tune out of your technology). Anil disapproves, adjustments the tune to ‘The Jawaani Song‘ from Student of the Year 2 final 12 months, and corrects his son, “Mere zamaane ka gaana.”

Anil Kapoor and Ishaan Khatter in a still from a Spotify commercial

Anil Kapoor and Ishaan Khatter in a nonetheless from a Spotify business

This business reiterates each artist, whether or not an actor, lyricist or composer, has to transfer with the occasions and meet the necessity of the present technology. The views on the YouTube video of any remix reveals the phenomenon is massively widespread. In that case, each composer needn’t take up rehashed songs in the event that they really feel they might not do job of it, however absolutely want to make room for rehashes of their compositions. It could appear an unfair world, until you could have large religion in your craft and its attain, like Rahman.

When this author interacted with Shubha Mudgal on the Zee Jaipur Literature Festival earlier this 12 months, the veteran singer succinctly put throughout her viewpoint: “I am okay with a remix making all kinds of noise,” she mentioned. “But I need not hear it again if I don’t like it.”

All photos from YouTube.

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Updated Date: Apr 10, 2020 16:24:34 IST

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